Monday, June 29, 2009

"I Think I'm Gonna Pop" or "Said, Danny Are You Okay?"

Illustration by Todd Purse.


















Michael Jackson was the vessel for a one of a kind story, pure Americana, Horatio Alger in Glitter Boots. Never before had something like him happened. The product of a very poor, crazy father, who, unlike so many other poor, crazy fathers, had the luck of having the most talented son the world had ever seen, and enough in the stock to make a great back-up band. The main thing about Michael wasn't that he was Baby James Brown but a better dancer and could sing like an angel, it was always his hyper-sensitivity. Too sensitive for the public eye but needed the stage to live, a real paradox.

The Michael Jackson story begins with Joe Jackson, who wanted more than anything to get his family out of the lower-class life he could provide for them, and would do nearly anything with the ample tools he was afforded to get there. Joe was a good manager, if you measure only in success, but it is widely believed that his physical, emotional, and psychological abuse employed to literally whip his band into shape warped the young, sensitive, uber-talented Michael's psyche into one only peripherally human. Bowie tried, with make-up and effects, to come off as an alien rocker, but it was Michael who, as an adult would be indistinguishable from an alien life form, or even super human, because no human could be that good.

Controversy always followed Michael, stemming directly from his eccentricity. In 1986 the tabloids first started to mine Golden Mike for sales with the false claim that he slept in a hyperbaric chamber. Michael let it go to enhance his sci-fi image to promote the upcoming Captain EO Movie, which I saw in 3-D at Epcot Center in 1988 and 1992. He bought his beloved pet chimp Bubbles and allegedly attempted to buy the Elephant Man's bones, which led to the tabloid moniker "Wacko Jacko" which MJ discussed and confessed that it really hurt his feelings, and he couldn't understand why he would be harmfully made fun of and lied about when he just wanted to entertain and help. Because money could be made by lying about Michael Jackson.

Musically he never really faltered, because to MJ, his fans were god, and everything was done in deference to them, to us. Of course, personally, I can't take a slow jam, even if it is by Michael, but it's not all about me. Michael's downfall was a result of three things: Physical appearance, prescription drug addiction, and accusations on his character. MJ started the plastic surgery after breaking his nose practicing a difficult dance move in 1979, giving him the still black, but thinner nose look known in "Thriller". Suffering from vitilogo and lupus, sensitive to sunlight, MJ's treatments caused his skin to lighten and he underwent more facial plastic surgery, with the noted commencement of thorough alterations coming after the Pepsi Incident. While filming a commercial for my favorite drink, Pepsi, MJ's hair caught ablaze and he was rushed to the hospital. He took this opportunity to begin a radical reconstruction of his face with more rhinoplasty, cheek bone surgery, a cleft put in his chin, and lip thinning. Unfortunately, it is believed that during this time Michael also began his dependency on prescription pain killers, no doubt to numb the emotional pain as well. It is also believed by many that Michael suffered from body dismorphic disorder, a condition in which you cannot comprehend how you are perceived, physically, by others. Michael thought he was ugly and wanted to be beautiful for his fans.

Remember what I said about the money you could get for lying about Michael Jackson? In 1993 the worst blow Michael's career could suffer occurred when he was accused by the father of a thirteen year old male friend of Michael's of molestation. The boy, while on sedatives, claimed that Michael had touched his penis. Michael adamantly denied it, cooperated with police, and under the advisement of soon to be wife Lisa Marie Presley, he settled out of court in an attempt to make it go away. After this ordeal, Michael would get on more prescription pain-killers and anti-depressants which plummeted his health and sent him to rehab. But, the world seemed to believe it. It was easy for them to see a weird looking, eccentric superstar and think, "Of course he did it, look at him!" But we in America have something called "innocent until proven guilty," and Mike was never, ever proven guilty. He died innocent, no matter what so many phony Americans and other fascists thought or think. For me, personally, that is enough. I am a liberal, and I'm not just saying that. I don't care. The worst thing Michael ever definitely did was snooging the Beatles catalog out from under Paul McCartney and making them Nike commercials, and who cares about that either?

Is there a good reason to think that Michael may have been sexually attracted to boys? Maybe... see, Michael is the ultimate Peter Pan, not just a man playing at it like me, but the real deal. His adolescence didn't make sense, forever trying to be the 9 year old singer of the J5, and girls or women just try and trample you and marry your brothers and take away your band, all the time screaming, screaming. So Michael could have been a perpetual pubescent, never able to mature emotionally or sexually, but with all the money in the world. He just wanted to be loved, but couldn't figure out by whom. What I'm getting at is that IF Michael ever did any of the alleged sex acts with alleged children, it should not be viewed as any more of a crime than his prescription drug addiction, his bizarre plastic surgeries, or his countless pop hits, all products of Joe Jackson's parenting/managing and the entire world wanting a piece of him and acting like spoiled brats when they can't have it. It is an acting out, a cry for help, but instead of the help he needs, he just gets the switch again.

In twenty five years, kids will have the best time learning about and listening to Michael Jackson. When I was a little kid, I had heard a wee bit of "Never Mind the Bullocks" and "Ziggy Stardust" and those two things stuck with me for years, trying to figure out what it meant and all about the colorful characters who perpetrated glam and punk rock. I think Michael will be even more fun to unearth. He's like five different, distinct beings throughout time. A child prodigy with exponential potential and number one hit singles, played with his brothers. The best disco star their could ever be, the prodigy grown up and bringing his gold standard to then modern pop music. The innovator superstar, inventor and perfecter of hyper-modern rock and roll dancing and savior/reconfigurer of pop after punk rock self-destructed. The King of Pop, so dubbed by Elizabeth Taylor, with the world in his hand and he just wants to make it better. And finally the disgraced popster with child molestation included in every thought about him, a pile of debt, and a muffed up grill.

But, for right now, and finally, all the Michael Jacksons have amalgamated into one entity, one that's being appreciated for the most complex pop star the world will ever know. The comparisons are easy to make, specifically to Elvis Presley. The King of Rock and Roll and the King of Pop, both died young while struggling with prescription drug addiction, both a little past relevant, both cemented as the best their field could ever know, both drowned in controversy over their personal life decisions, both died in their trademark mansions. It'll be interesting to see if their are Michael Jackson sightings at small town diners and the mall and the like, the Kings never die, of course, but people are too dense to see why.

It's impossible to say which my fave MJ is, the obvious answer being the J5 incarnation, playing Black Bubblegum that makes the ears happy and the feet boogie, or the coolest guy in the world Michael of "BAD", or the utterly insane Michael in Black or White, that night after the Simpsons but before In Living Color, smashing that car and grabbing that crotch and gyrating, perfectly, like a deranged maiden coming out of the cuckoo clock for a couple seconds every hour and trying to make the most of it. Michael that can jump into Billie Jean's bed, make it glow, and then disappear into it, Michael that hangs out in the wet back streets crooning to Dirty Diana's and telling broads the way they make him feel, the Michael that torments over upcoming fights in the garage and just has to stop it, the Michael that can change into a panther, the Michael that's a gangster, the Michael that can transport through dancin' dust to ancient Egypt and sex-eye the queen... all great Michaels, but mine is an in-betweener. The Jacksons' 1977 Variety Show. Michael was pre-surgery but adult. He looked like a grown up J5'er, but sung like "Thriller", and most importantly, he had broken the glass ceiling of dance, doing moves that noone had seen before and few could properly do since, except for Zac Ephron. But, from what I understand, this is when Michael hated his looks the most, and he was beautiful.

With everybody talking I almost wanted to keep quiet, but I see myself as knowing a bit more about music than they do. I used to see Mike and say, "if he had just stopped with the surgery then..." after "Bad" or "Dangerous" or even later, but now I just see him like his mother does, beautiful from the day he was born til the day he died. Lester Bangs should be alive to write about this, but he's not so you get me, and I have no point, just appreciation of an icon. Thanks Michael.

Tit Patrol @ the Spot 6/28/09

Photos by Nikki... See, we got fans!
video

One Short Fall @ the Spot 6/28/09

Outta Parsippany, New Jersey, One Short Fall! Excellent Rancid-esque songs, great bass playing!, cool guys. They'll be back around, I'm sure, and hopefully we'll make it up to their turf for some fun!












The Impatients @ the Spot 6/27/09



















Da-Durr! @ the Spot 6/27/09












Tit Patrol @ the Spot 6/27/09

Photos by Chris Crust...
See, we got fans!










Friday, June 26, 2009

New Web-Exclusive Headies!

Here's the super-exclusive, collector's edition, so rare their aren't any, new Headies record, entitled "Live Skiffle! - the Doctrine of Infinite Pastabilities" recorded without practice while standing on chairs at Chef Luigi's Pastabilities restaraunt in Little Italy. Engineered by Peter "Awesome" Dawson. Special thanks to the chick Alex was kicking it to who you can hear through most of the recording. Way to be aware lady!


The%20Headies
Quantcast

Bromancing the Tit

Tit Patrol and the 20 Belows outside the Sidebar in Baltimore






















Tit Patrol on stage... Murph was so drunk that his photos actually came out drunk.
















The 20 Belows @ the Sidebar 6/23/09

Alright, here is my last 20 Belows set (tear!), and the best one of the batch. Thanks for everything boys, see ya next time you're in the U.S., or the next time we're in Denmark! Check out this bonus 7" I got. Yeah I know you like that! I actually know those girls.











Connect 4 @ the Sidebar 6/23/09

Orioles fans the Connect 4 opened up at the Sidebar the other night. Good pop-punk originals and Screeching Weasel covers, most likely making their way to Wilmington's the Spot sometime soon!











Wednesday, June 24, 2009

The 20 Belows @ Jumpin' Java 6/22/09

We got to know the 20 Belows really well and so should you!
Ulli - vocals and guitar




















Kasper - guitar and vocals




















Bjarke - bass




















Peter - drums








Wild, Wonderful, Tit Patrol

Tit Patrol hit the road to fill thine horn with oil and drink in Charles Town (not Charleston) West Virginia. It was good for me and Grant to get back on our native soil, and we had a lot of fun, as always.
Potomac!

Shenendoah!

Some lady allegedly took a shot of all the Tit with the Peanuts, but when we checked it later she actually just held the camera and said she took not one, but two photos. Crafty wench!



Jumpin' Java (where we played at). Thanks to Matt for setting up the show, James for doing sound, and everybody for coming out!













Tit Patrol wholly endorses "Grandma's Diner" on N. Washington St., Charles Town, WV. Three bacon cheeseburgers (made fresh on premesis, not frozen!), chicken wing-dings for Toddy, and the Main Man got the rib eye!


The Charles Town Race Track, where, to our dismay, we found that the ponies only run Wednesday through Saturday. We'll be back on July 18 (a Saturday) to clean 'em out.







Inside the Charles Town Slottery, where, on the "Black and White Sevens" Nickel Slots, I went down $30, then even, then up $70, then back Even Steven again.






























Peanuts!




Dude Mowing Sidewalk

Tuesday, June 23, 2009

Last Tit/20 Belows Show!

Tonight's the last time to catch the Tit Patrol and the 20 Belows together until their next sojourn back to the states, so be sure and come on down to the Sidebar in Baltimore, MD! Music at 9:30!

The Apers, the 20 Belows, and Johnie 3 at RLH Guitars 6/20/09

Outstanding show at RLH Guitars in Red Lion, PA. The new Pop Punk! Featuring the Apers, the 20 Belows, the Sheckies, Johnie 3, and Tit Patrol! Not pictured: the Sheckies and the Tit (I had to play bass!).
Outta Amsterdam, Netherlands: the Apers!


























From Youngstown, Ohio: the Johnie 3!








Copenhagen's Own: the 20 Belows!








New Tit Patrol is Out!

Great record release show! Thanks to all them folks who came out to support the Tit! Special shout outs to Bobby Campbell, Jess Erving, Pat Shields, Ling Ling, etc...! Photos by my Nikki! Get this record or else!







Sunday, June 21, 2009

Tragic Johnson @ the Spot 6/19/09

Know the Trag. Love the Trag. More Skeletor.







The 20 Belows @ the Spot 6/19/09

OMFG! Out of Copenhagen, Hovedstaden Denmark, the 20 Belows are a class above! These guys are so tight, have awesome songs, and are big ol' sweethearts! They blew me away on stage (their English is far superior to our Danish... mmm, Danish), and are a blast off stage. We (Tit Patrol) are playing with them over the next four days, so come out, support our Danish bros!














The Sheckies @ the Spot 6/19/09

I love the Sheckies and so should you. Great to play with, great to be in the audience with, cool guys and great music. Be sure to check out bassist Vinny's terrific solo project, the Scutches!












Johnie 3 @ the Spot 6/19/09

YEAH! Johnnie 3... we first got aquainted with these dudes music through their split with the Prozacs, and live they rule even more. Vegetable eatin', green smokin', pill-poppin', punk rock. Thanks Johnies!











Bob's Hemophiliac @ the Spot 6/19/09

Our buddies the Bobs came down to support the Tit for our record release. Great set as always! Thanks Jeff, Correy, and Rotz!












The Adelies @ the Spot 6/19/09

Connor Ba-Durr!'s side band opened up the evening at the Tit Patrol record release party, playing a brand of ska-core, which all you regular readers know my feelings on. They are positive. Feelings. Dig the Adelies. Pronounced Uh-Del-Eez. Thanks to Connor and the boys!
















Friday, June 19, 2009

Tit Patrol Record Release Tonight!

At the Spot, of course, with all our friends... be there or be square. Do you know what a square is? A square is the worst thing someone could be, worse even than a turkey. It means you are uncool, so be there for yer own good!

Monday, June 15, 2009

The Headies! and Friends 6/13/09

Headies at the Spot! Great audience! Thanks to Chris Ba-Durr! for jumping on the drums for "Karl Konnection"! I love Nikki! Todd loves Ally! Happy B-Day Jamesage! Photos by Grant, Murph, and Nikki!
































The Filthy 42's! at the Spot 6/13/09

From South Jersey, U.S.A., the fabulous Filthy 42's! These guys were spectacular, playing country-esque power pop, a la Brian McGee and the Hollow Speed. The got me riled up and rockin' and I can't wait to play with 'em again! All photos by me, check out their goods here.

Darby - vocals and guitar




















Mick - guitar and backing vocals




















Curt - bass and backing vocals




















Andy - drums

















The Flyswatters! at the Spot 6/13/09

Thanks to the Flyswatters for coming down to the Spot! Excellent Queers-style pop-punk played hard and fast, and great dudes, hopefully we'll be gettin' together again soon! All photos by me, check out these boys here.
Ryan Swatter - vocals and guitar




















Bryan Swatter - vocals and guitar




















Darby (From the Filthy 42's) - bass




















Jack Swatter - drums














S.H.O.T. at the S.P.O.T.

It is my distinct pleasure to introduce and welcome S.H.O.T. to the Wilmington scene, as photographed by me at the Urban Bike Project on June 13. These Market Street boys play thrash-out ska-core, which has been sorely missed by both me and Mr. Moist. They have an E.P. out...

Recorded by Sammy Williamson, Nacho Rich, and Peter "Awesome" Dawson at the Big Blue House which totally burns yer face off, and a super-sweet t-shirt design... I believe by Rachel?!

Check it and them out at here.

Davey McFly - vocals




















Kacii Redd - guitar




















Dr. Blah - bass




















Thrashcan - drums
























Sunday, June 14, 2009

Pro Shot Headies!

Here's some shots that my adored kid brother, professional photographer Paddy Robinson, took of us Headies at the Spot for Deco Design's segment of the Wilmington Art Loop. Great job Pat... and come dig the Headies at the next Art Loop, July 3, 2009!











Friday, June 12, 2009

The Tao of Boogie

When people begin to identify themselves with a type of music, particularly if it has an accompanying fashion or lifestyle, they get real exclusionary. I should know, outwardly I have portrayed a "punk rock or fuck you" mentality. Blame my upbringing if you must, not by my parents, but the scene I came up in, and my own superiority complex. This is a front, of course, and is in direct violation of my doctrine of infinite possibilities, and my boss would tan my hide if she thought I was for real. The best stuff is always a conglomeration. Sure, the Ramones are the Platonic Form of punk rock and the best band there will ever be, but they are just a mix of the Beach Boys, girl groups, bubblegum and rock and roll (played louder and faster, duh). So if you say "punk rock only, fuck bubblegum" then you are contradicting yourself, and the web gets more tangled with the more statements or commitments you make, and you'll surely end up liking something you don't want yourself to like. One may identify his illusory self as a punk rocker, and anything that threatens that illusion might be combated. Now, I am a hard-ass for what is good, in my opinion, and if it ain't good in my opinion, it ain't good. But blanket statements are for Republicans, and there is a way, a path, a thread of the good that stretches from it's inception in American blues music all the way to me, and is exemplified in the near 17,000 songs in my iTunes, and in my Meta-Pop band the Headies.

1994 featured the perfect storm for Pop Punk music. First and foremost, Kurt Cobain, the lead singer from Nirvana and main figurehead/proprietor of the Grunge branch of Alternative music, had recently blown his brains out. The Northwest branch of Underground music had gotten huge during the Synth-Pop soaked nineteen eighties and from '88-Cobain's suicide had offered, in conjunction with major American recording labels, especially Geffen (in an attempt to be the 1990's answer to Seymour Stein/Danny Fields Era Sire Records), an "alternative" to the obvio-pop of Michael Jackson. But the caveat was that everybody had to take themselves so seriously that the only way out was suicide. I was a tween before that word existed and had some vague recollection of listening to "Never Mind the Bullocks" on a Fisher Price turntable in the previous decade, knew that that was called "punk rock" and that maybe their was something even better than WMMR playing "Ziggy Stardust" if you were lucky. I knew that I liked WOGL, Oldies 98.1 best of all, specifically "Johnny B. Goode", "Walk Like a Man", "Hang On Sloopy", and "Wild Thing". I knew that there was something these songs were offering that not Nirvana, nor any of their contemporaries, from Seattle or Elsewhere, were not. Something melodious and genital oriented.

Grunge and Alternative was originally played by members of Generation-X, in my estimation those born between 1965 and 1976, children of the Baby Boomers, children of divorce and the cold war and feeling sorry for yourself. But then we all became teenagers and he killed himself and were named Generation Next by Bubblegum heroes the Spice Girls and we needed something that sounded happy but indeed was not. Hence the Pop-Punk boom and everything getting (musically) good for a little while before giving way to Emo (Dashboard Confessional, Thursday, Thrice, Jimmy Eat World), Bro-Core (Limp Bizkit, Korn, Rage Against the Machine), and Nuevo-Pop (Brittany Spears (no offense Brittany!), N*Sync, Christina Aguilara, Backstreet Boys). So, I had found the thread of the good and began the process of doing my homework, following it back as far as it would go and examining every fiber along the way. Easier said than done though. For instance, who do you listen to? Not which bands, but which opinions. Plow United was the best of the best West Chester/Wilmington band ever, and those dudes HATED Rancid, but I sure liked 'em! But Sean's dislike probably backed me off of the street punk sub genre and their mascot Tim Armstrong, just a little bit. Rancid's new album "Let the Dominoes Fall" just came out, or is about to, but I've listened to it five or so times and still can't get a grip on it. They milk their blue-collar image with songs for and about military people, people fighting in Iraq or Afghanistan. The opener is a new Rancid classic, be it on well-worn territory, "East Bay Night" is a 10 out of 10, all there great punk song. I still love Tim's vocals, but I can't believe, as I did on the first three Rancid albums, that he is not completely self-aware of his unique mumble-growl delivery. When I thought he just couldn't help it it worked better. That's the downfall of Rancid. "And Out Come the Wolves..." is the masterpiece and all else pales in comparison to that unaware, all-natural, all-real, can't even tell that their trying punk rock record, which Sean Rule hated. It's gotta be hardest on the true believers. I was talking to Dave Wrighteous the other night, bonafide legend in my eyes, taught me so much about punk rock, and I respect and love him very much. Dave is actually extra-spectacular as a dead in the middle member of Generation X who is a no-nonsense punk rocker and always has been. He was telling me how he saw 1994 as a real downturn in Pop Punk, as his favorite bands put out, in his opinion, their worst albums, citing Mr. T Experience's "Love is Dead" and Ben Weasel's then-new The Riverdales first album. These are, of course to me, two of the best albums of all time and my favorite MTX record! It's that kind of quantum criticism that makes the grey areas so crystal clear and possibility reaffirming.

Perhaps the biggest victim of the Pop Punker's (all of us by the way just figure we are straight up punk rockers and the Pop is implied) cool kidness and pariah inflictability is Ska music. Specifically Third Wave Ska became the grandest scapegoat, the red-headed step child of the punk scene. I guess ska zigged when America's youth zagged, the "Let's Go Bowling" sticker came off Joel Tannenbaum's bass, and Operation Ivy (featuring Tim from Rancid, then Lint, duh) became the only acceptable ska-core to listen to. So, like an asshole, I didn't do my homework. So I didn't know there was a reason that OPIV song is called "Sound System". See, in the beginning, the very beginning of ska music, before their were those kinds of bands in Jamaica, big shot impresarios like Duke Reed and Clement Dodd would utilize giant roving sound systems on trucks for mobile dances playing American R & B singles they had shipped in. In this way Jamaican youth got way hip and into the sounds of Black America. In order to maintain the superiority of their own business, these dudes would hire Rude Boys to go screw up their competitors dances, and these disruptors became known as "Dance Hall Crashers" who would three decades later be featured on the Angus Soundtrack along with the best ever Green Day song, "J.A.R." the prospect of hearing which kept me glued to my radio and WDRE 103.9 Modern Rock all summer long. Anyway, ska is another one of those magnificent conglomerations. These Jamaican hip cats had a great knowledge of R & B and even Modern Jazz due to their Sound System heroes and took what they learned, like the twelve bar blues and boogie bass, and mixed it with the indigenous Mento's off-beat syncopated rhythm guitar and piano, playing it faster and louder, and ska music was born.

In 1962 Jamaica regained it's independence from the U.K. and the Jamaican government used ska as a diplomatic tool to represent it's people. And indeed it was the music of the people, heavily infused with the street-level politics of Jamaica as often as it was about gettin' high on ganja or the rub and squeeze. The people referring in part to the original Rude Boys, which like skinhead, ended up being more than one incarnation of ideals. Jamaican Rude Boys were characteristically out of work and reactionary towards economic tensions, rebel kids who emulated American Hollywood gangster movies with black suits, thin ties, and pork pie hats. It is said that the aggression of the Rude Boys and their dance moves drove ska into a more aggressive less boogie driven area. Ska faded in popularity in its native Jamaica and made way for Rocksteady, which reflected the more polished sounds of American Soul being imported at the time, and then to Reggae, but continued popularity abroad, specifically England, with it's large Jamaican population and a British Youth scene in the 1960's that craved that which was hip. At the end of the next decade ska made a comeback in popularity in England, now infused with the still fresh Punk Rock sound. British Ska became known as Two-Tone, due to the British bands emulation of the black and white Rude Boy style as well as the characteristically multiracial line-ups in the genre's bands, like The Beat, The Selector, The Specials, and Bad Manners. It was during this time period that Ska achieved it's ultimate perfect sound, perhaps only topped by Operation Ivy themselves.

OPIV is probably responsible not only for the Third Wave Ska revival but also Pop Punk's elevation as well. I mean, Chrimpshrine wasn't gonna be the band. the Dead Kennedy's and Black Flag and Minor Threat could never do what OPIV did, pave the way for good clean punk, guaranteed to stick. but really that's just part of the thread. It's interesting how much of an umbrella term punk has become. It's been argued that the only true punk bands would be the CBGB's guys and their British prodigies. And certainly ska happened in the 1960's and was revived in the late seventies and early nineties, due to it's close proximity to the ideals and temperaments of punk rock fans. Tied closely with the two is Mod. Mods in England were many of them ska fans, and the Mod Revival correlated with the Ska revival, but like punk, can you really be Mod if you aren't existing in mid-1960's England? No. Can you really be rock and roll if you aren't existing in the mid 1950's? Probably not either, but that's not really a bad thing. You're something more than any of those, you're a conglomeration. By existing within the Tao of Boogie and fully living and breathing American Blues, R and B, Rock and Roll, Ska, Soul, Girl Groups, British Invasion, Mod, American Garage, Bubblegum, Punk, 2-Tone, Hip Hop, Underground, Pop Punk, and especially the Hyper Pop manifestos of Lady Gaga, you are the new hip, not the what's next, the what's now.

Thursday, June 11, 2009

Hey Jerks, Come See the Headies, Please

Monday, June 8, 2009

The Headies @ Last 46 Madison Show

It was a great run at Chris Geddes' 46 Madison Venue, but his lease is up and he's movin' out, so here was the last hurrah. Thanks to Ba-Durr!, Surf City Rockers, Astrid Pierce, the New 45, Tragic Johnson, and Count von Count for playing, and HUGE thanks to Chris for the great times and these Headies photos!




















Count von Count @ Last 46 Madison Show

Here they are, the only band around that can rock as hard as Tit Patrol, J-Vav, Chris Crust, and Tommy von Count, Wilmington's own: Count von Count!



















Friday, June 5, 2009

Punk Rock Weekend (Last Weekend)

Great Pizza Party show at the Spot this weekend featuring our buddies the Sheckies! Here's what you see when you get to the Spot, and especially if you show up early, beginning with King Homer (Taken off TV) and the Murph Nipple Pinchy. Not pictured: impromtu Headies set.














PIZZA STEEZ - featuring Murph, Matty Latchford, Peter "Awesome" Dawson, and King Sheckie.





Tonight's headliners and your heroes: TIT PATROL (Wilmington, DE) Tit Patrol photos by Chris Geddes.









































BA-DURR! (Newark, DE)




















THE SHECKIES (Cape May, NJ)




















TRAGIC FUCKIN' JOHNSON!! (Newark, DE)